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Guided photography mentoring & creativity life coaching

 

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Brighton photography courses and workshops

 Abstraction, Photography, and Play

Close-up abstract image of flower petals in yellow and cyan.

4 February - 10 June 2026

Cost: £425

        

Duration: 10-session course every two weeks

                Wednesdays 18:30 - 21:30


Where: Online


Group Size: 6 students Only!!!


 Listen to my Happy Students

Close-up abstract image of flower petals in yellow and cyan and some green leaves in the foreground.Photo by Eva Kalpadaki.

 Abstraction, Photography and Play Themes

- Week 1

   Introduction to The EVA Method


- Week 2

   First Photograph – Abstract processes

   Looking curiously at the world  


- Week 3

   Reality and Surreality

   Spontaneity

   Subconscious Explorations

   Previsualisation 


- Week 4

   Compositional Abstraction

   Mindful Seeing  

   Exercise your eyes in photocomposition


- Week 5

   Subjective Vision

   Photography as Metaphor

   Mindful Thinking

   Express yourselves


- Week 6

   Generative Reality

   Thinking in a programme

 

- Week 7

  Photography as Idea

  Conceptual Thinking

 

- Week 8

  Photography as Object

  Concrete Photography


- Week 9

   Empty Space

   Photography of 'Nothing'

 


- Week 10

   Semiotics of photographic abstraction

   Summing Up

 Abstraction, Photography and Play

 Online 10 - session Course

For Greek audience click here

Aim


What happens when you stop trying to capture what something is and start focusing on how it feels or how else it can look like?


Can a photograph reveal the unseen, the in-between, or the overlooked?


Are you ready to let go of the rules and explore a more intuitive, personal way of seeing?


This is a creative course in abstract photography, open to everyone—whether you're a total beginner or an experienced photographer looking to refresh your perspective.


All you need is curiosity, imagination, and a willingness to explore beyond the surface.


I will guide you in seeing more creatively—both through the lens and without.

I will introduce you to different aspects and categories of photographic abstraction, from graphic and geometric to expressive and experimental.


Through visual examples spanning the history of abstract photography and beyond, you’ll find inspiration to begin crafting your own images—moving beyond representation into a more playful, mindful, and conceptual way of working.



 

Objectives

 

At the end of the course you will be able to:


- Reconnect with the joy of playful, intuitive image-making and feel what it’s like to enjoy photography without pressure


- Explore what makes a photograph abstract and learn to recognise the visual elements that create mood, rhythm, and ambiguity


- Discover how abstract photography has evolved alongside key movements in art and visual culture


- Create your own abstract images using both mindful observation and creative experimentation


- Reflect on your process and begin to see the world in a new way—through patterns, textures, emotions, and ideas


 


General Outline of a Lesson Plan for each Weekly Session


Each session will consist of mainly three parts:


Part I

Looking at your photographs (homework based on the theme of the previous week), commenting on them, suggesting new ideas, reflecting on your creative process, and articulating it into your own words. This discussion will be the core of each session, as it will provide you with the opportunity to extract ideas from your own work, discuss the making process and make decisions for your future explorations on the weekly projects to follow. At the same time, I will be answering your questions, helping you to clarify your ideas, and giving you suggestions and guidance for further experimentation.

 

Part II

Looking at the photographic abstraction theme of each week, based on images by both classic and contemporary photographers. You will be engaging in a critical discussion about them and reflecting on questions about what compositional approach it has been used, what the intentions of the photographer might be, what the images mean to you based on your own interpretation, and any other questions that might be generated by you.

 

Part III

Summing up the main ideas, which were discussed during the previous parts and discussing the nature of your homework. This will be based on a fixed theme for everyone or on individual themes that each one of you might choose.



  

Handouts 

At the end of each weekly session, I will be sending you e-handouts by email.



Camera guidelines - what you will need

- A  DSLR or mirrorless camera are ideally the best types of cameras you can have if you want to really explore and experiment with photography. However, all types of cameras are welcome, including ipads, tablets, and mobile phones.

- Desire to explore a new activity and learn something new 
- Open mind to welcome new ideas 
- Enthusiasm to get creative


 

Refund & Cancellation Policy

No refunds:

- if you cancel within 15 days before the start of the course.

- if the course is cancelled but a new date is scheduled

- if you stop attending it or any sessions of it



Minimum Age

16 years old is the minimum age for participants to attend the workshop on their own. For younger children please contact us.



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